Edit ModuleShow Tags

Apr 26, 201810:45 AM
In Tune

The sounds that move the Crescent City

Jazz Fest and Gasa Gasa

gutsclub.com

Guts Club and Waxahatchee at Gasa Gasa Tuesday Night

Just a few years back Lindsey Baker relocated to New Orleans.  In the years that followed her Guts Club project has blossomed with the release of the excellent record Shit Bug in 2016 and the forthcoming release Trench Foot which will be out a bit later in the summer.  I sat down with Baker to chat a bit about songwriting, the new record and her quest to make a country record.

There is an authenticity inherent in Outlaw country that appeals to Baker, “I think I just like that old music and I feel like there's this, like the old classic country, like your Waylon and your Loretta and all those guys. I feel like there's this integrity that is really gorgeous and I…strive for that in a way.”  Part of building this sound was getting a band together and moving to an all electric sensibility.  An integral piece of this for Baker was growing to trust the strength of her band.  “Everybody was really involved when we were making the record and as we continue to play these songs. They're in it. You know what I mean? They're like, "I think it would be really cool if I did this one thing" and I'm like, "Fuck yeah, dude! Do it!" Fuck yes.”

Despite the her evolving sound the songs retain the punch we have come to associate with Guts Club.  “Pansy From the Hills” is one of the standout tracks from the new record.  Here Baker takes the idea of a broken heart to its literal extreme.  “Well that's sort of one of those songs where…you’ll get into some, kind of stupid relationships and then you're like, I mean I don't know if this happens to everyone—but I know that it happens to women sometimes —where you're like…’I’m like a fucking victim here. Get me the fuck out of here.’ And then you leave and you're gas-lighted and [told] ‘you broke my heart’…So it's kind of like that. And actually, if I were to break your heart it would be broken…like you'd be dead.”  Baker admits that perhaps she’s too polite for truly extreme action but the songs serve as a type of wish fulfillment.  “I've never been able to actually hurt someone in the way that I think they deserve to be hurt because I'm polite. You know, I wasn't raised like that. But also I had fantasies where I'd beat everyone at arm wrestling or I'm this other person that [has] this strength that really probably doesn't exist in me or on this plane—but I hoped for it and I wished for it…It's a lot of regret in [the record] and just a lot of realizing what you're not able to do and how privilege is a thing and class is a thing and gender is a thing and there's walls…it’s like realizing a lot of those walls but then some of it's like the fantasy of shitting on them and physically breaking the hearts or physically breaking the walls.” 

This balance between the harsh injustice of reality and Baker’s lyrical enacting of Justice in her music creates a stunning mosaic of the relations of power and our tendencies to give too much of our personal strength away to others.  It is also her best work to date—look for it July 6th and check out the song “Mustard Tears” below.  On Tuesday you can catch her and her band opening for Waxahatchee at Gasa Gasa.  Waxahatchee’s Out in the Storm was one of the best records of last year.  These two performers together make a perfect pairing. 

 

 

Jazz Fest Weekend One

Just a few recommendations for weekend one.

 

Friday:

Michael Skinkus and Moyuba                11:20 a.m.          Jazz and Heritage Stage

Batiste Fathers and Sons                       12:45 p.m.          Congo Square

Shades of Praise                                     2:00 p.m.            Gospel Tent

New Orleans Nightcrawlers                     2:55 p.m.            Jazz and Heritage Stage

Lukas Nelson & Promise of the Real       3:30 p.m.            Gentilly Stage

Sturgill Simpson                                       5:30 p.m.            Gentilly Stage

 

Saturday:

Tin Men                                                 11:15 a.m.          Blues Tent

Trumpet Mafia                                       12:15 p.m.          Jazz Tent

Fats Domino Tribute                              1:45 p.m.            Acura Stage

Big Freedia                                             2:10 p.m.            Congo Square

Charles Lloyd w/ Lucinda Williams        4:15 p.m.            Jazz Tent

Cha Wa                                                  6:00 p.m.            Jazz and Heritage Stage

 

Sunday:

NOCCA Jazz Ensemble                           11:10 a.m.          Jazz Tent

Panorama Jazz Band                               12:20 p.m.          Jazz and Heritage Stage

Magnificent 7                                            2:05 p.m.            Acura Stage

Meschiya Lake does Emma Barrett         4:25 p.m.            Economy Hall

David Byrne                                              5:30 p.m.            Gentilly Stage

 

To Listen This Week

 

Add your comment:
Edit ModuleShow Tags


In Tune

The sounds that move the Crescent City

about

Mike Griffith is a New Orleans native and like many locals developed an almost immediate and lifelong obsession with live music.  With the revival of “In Tune” his obsession is now on display for our readers.  Mike fills the time between shows teaching media studies at Tulane university where he received his PhD.  He is particularly interested in projects that combine the native understanding of a place with new forms of digital expression.  

archive

feed

Atom Feed Subscribe to the In Tune Feed »

recent