NEW ORLEANS (press release) – Stronghold Studios shared they are proudly marking 28 years as the artistic force behind the New Orleans Jazz & Heritage Festival. Known for its hand-painted decor and vibrant sculptures, the family-owned studio has played a key role in creating the iconic visuals that festival-goers have come to know and love at the festival.
From the sculptures of Professor Longhair, Fats Domino and Bo Dollis, to the African mask of Congo Square, Stronghold’s work surrounds every stage and food booth, defining the visual identity of Jazz Fest for nearly three decades.
“One of my favorite pieces is the Festival’s entrance archway,” says Coco Darrow, owner and creative director of Stronghold in a release about the festival. “I love seeing the photos people post posing beneath it—it’s become a standard photo op. Every year when I go to the festival and see people interacting with our work, it warms my heart. To be a part of something that brings joy and beauty to others… I feel very lucky!”
In contrast to other festivals that use only digital printwork, Jazz Fest embraces local artistry. Every booth facade, tent entrance, and many stage backdrops are painted by hand at Stronghold’s Mid-City studio by a team of dedicated local artists. Their work is not only decorative but deeply reflective of New Orleans’ rich cultural heritage.
Behind the scenes, Ian Darrow, co-owner and director of operations, coordinates the logistics and fabrication of the massive installations. Having grown up in the Jazz Fest Art Department, Ian brings technical expertise to every project.
“There’s a lot of planning and precision involved,” said Ian. “I’m proud of the trust the Jazz Fest team puts in us year after year to bring these large-scale pieces to life.”
This year, Stronghold Studios is unveiling several new pieces, including food booth sculptures — a pork chop, potato and chocolate bar — and two new 12-foot-tall sculptures for Congo Square. The team also creates artwork for the Cultural Exchange Pavilion, which celebrates Mexico in 2025.
“We begin work months before opening day,” said Coco. “It turns into a nonstop art factory! Every year we look forward to creating new pieces that celebrate our city and culture.”
